Tag Archives: Books

Review: “Space Brides LLC” edited by Dana Bell

0
Posted on by

“Tired of those lonely dark nights? No one in your settlement suitable? We are here to help! We will help you find the bride or husband to keep you company, raise your children, and be your partner building a dream together.”

The concept of this anthology from Wolfsinger Publications caught my eye. The idea of Space Brides LLC – a matchmaking agency designed to help people find love on the frontier of space – has great science fiction potential.

This book of 15 mini romantic space operas, edited by Dana Bell, certainly delivers on that. We visit moons, asteroids, caverns, planetary installations and digital worlds. We travel on warp starships and space trains. We meet humans, aliens, vampires and clones. It’s a feast of imagination, and while all of the tales bring something to this colourful party, there are a handful of stories that lingered in my memory after reading.

“Gravity” by Sage Kelly features Jake, a man whose sister has died. He is taking her three lively children (and their pet ferrets) to Mars in the hope of marrying into a farming family to secure them a stable future. Upon arrival however, he is devastated to discover that his betrothed has bailed on the arrangement, leaving her furious dad and brother to sort out the mess.
This is a warm story, thick was pathos, and perfectly evokes the rewarding chaos of domestic life, pets, children and family dynamics.

I loved “Runaway Bride” by Harriet Phoenix. It’s narrated by a skilled and adventurous young woman, Kasih, who is on the run and carrying a mysterious bag of which she’s very protective. She signs up with Space Brides and discovers an interesting prospect on the Saturn moon of Titan: a society where everybody is married to each other as one big collective.
This is one of my favourites of the anthology. It’s well written with a tight plot, full of interesting cultural concepts and fully-rounded characters, and delivers a superb pay-off regarding the contents of Kasih’s bag.
As Harriet Phoenix’s story was also one of my favourites in the recent Terrors from the Toy Box from Phobica Books, she is definitely a writer to watch.

I also loved “A Spectrum of Secrets” by Eric Taveren. This is the tale of Alice, a woman who works for Genetech – a cash-strapped genetics company – and whose young son is terminally ill with cancer. When she sees the profile of Jake, a brilliant scientist, on the Space Brides database, she realises that he might have the skills to cure her son.
With no intention of marriage, Alice travels to stay with Jake in a remote installation deep beneath the ice-crusted sea of the Jupiter moon Europa, and immediately starts to feel guilty about the deception. Especially when she realises she has genuine feelings for him.
This piece shines with slick storytelling, and draws us in immediately. The development of Alice and Jake’s awkward relationship is convincing, and the plot saves some eerie reveals before culminating in a taut and surprising finale.

I really enjoyed “Lapin Chasseur” by Jennifer Roberts. Here we find lunar-dweller Clarissa, who travels all the way to Pluto as part of a holiday trip. But upon arrival, she discovers with horror that she’s been cunningly set up by her horrible twin sister: Clarissa’s journey is a one-way ticket, and she’s actually there to marry a Plutonian mushroom farmer called Doug in the caverns deep beneath the planet.
After a tense start, this becomes a sweet and life-affirming tale that easily draws us into Clarissa’s plight. It has a strong sense of place, a weaving plot, and very relatable attention to detail despite the sf setting. Several of the characters shine with humanity, contrasting the villainous elements, and it saves some twists to conclude on a satisfying note.

The bulk of “Hope Among the Stars” by Luke T. Barnett is in the form of correspondence between Agnes, a previously rich but now impoverished woman from Ganymede, and William, a successful businessman on Mars. They are very much the traditional lady and gentleman, so their written courtship gushes with manners and etiquette. But when disaster strikes during Agnes’ space journey to him, the story takes a surprising and dark turn in which most unladylike behavior will be required for Agnes to survive.
This story stands out with its epistolary structure, quaint characters and drama. We are gently guided into rooting for Agnes and William, and the story constantly keeps us guessing as to how it’s all going to pan out.

The last story – “She’s a Bit Green” by Bogna Jordan – finishes the book on a high. Here we meet Voymir, a soldier who undertakes dangerous missions in a flying suit of armour. After he is seriously injured after an attack on a pirate base, his Space Brides match turns up in the form of Nimfa: a winged and green-skinned woman who is used to a life of racism and rejection.
Both broken in very different ways, the characters and their mutual reticence are believable, and their feelings really power this hopeful tale of recovery and longing.

Special mention also goes to Dana Bell for “Had My Reasons”: an immersive piece that shows us the potentially dangerous side of love with a not-quite-human on an asteroid.
And G.A. Babouche’s “The Titan and the Princess” is a fun and compulsive read that asks if love can flourish between a spirited, jaded princess and a proud alien king.

Of the stories with strong conceptual approaches, credit to Laura Hilse for the clever romantic thriller “Romance of the Algorithm” which shows us the Space Brides process, and explores how the AI used by such agencies could pinpoint things that mere humans might miss.

Despite the niche theme, Space Brides LLC has plenty of variation and we meet all manner of characters looking to find their soul mate. As well as all the above, we meet a Venusian witch,  a troubled clone who is running out of chances, and a purple-eyed alien general. We see collapsing Neptune mines, exclusive lunar hotels, virtual realities, and a shootout in a Martian tomato farm. Niche themes can become samey, but this anthology deftly avoids that pitfall.

As I usually read horror, and the darker and more bleak side of science fiction, Space Brides LLC was a pleasant and refreshing change of tone. The clashes of culture and creed make for some colourful romances and thrillers, and there are several heartwarming stories that show love against the odds. And while that might be a well-beaten trope, it’s a harmless one to indulge sometimes.

A neat concept thoroughly explored, this an enjoyable escapist book.

Available from Wolfsinger Productions here, and through Amazon Kindle stores.

Review: “We Were Seen” by Mark West

2
Posted on by

It’s been a few years since I read a Mark West story, and this novel from The Book Folks made me glad that I’d decided to revisit and also wonder why I’d left it so long.

“We Were Seen” is narrated by Kim Morgan, a lecturer and councillor in the fictional English coastal town of Seagrave. As the story begins, we find her attending a public meeting to protest the development of a golf course and hotel that will steamroll some local marshland. A fight breaks out, and after she is rescued from the violence by a young man, the pair enjoy a spontaneous one night stand. But it transpires that he’s a student at the college where she teaches and someone has taken photographs of their encounter, soon beginning an upsetting campaign of blackmail.

After the excitement of the opening chapters, in which Kim and her protector escape the meeting and are pursued by thugs, the pace cools to an atmosphere of building tension. Despite the stress of being blackmailed, Kim attempts to go about her normal daily life. But as the days go by, she is stalked by an intimidating and obnoxious man, and worries about who she can trust.

Kim assumes, quite reasonably, that her blackmailer is something to do with the proposed golf course she opposes, but the threatening letters that keep dropping on her doormat don’t seem to demand anything specific and serve only to unsettle. Then a dead body turns up on the beach, and the mystery – and the fear – really starts to escalate.

This is a slick and addictive novel. Kim is investable in her normality – a likeable and self-aware everywoman – and the way she is torn between rationality and paranoia is convincing. I love the way the unease is slowly stoked, and Kim starts to see menace in even the most benign locations of sunny Seagrave’s promenades, streets and bars. The small town vibes become very oppressive as the book progresses, especially as further disquieting mysteries are trickled into the mix.

Although a modern psychological thriller, “We Were Seen” has fun shades of a traditional whodunit. Just like our unfortunate protagonist, we suspect that the blackmailer is someone she knows – or has at least met – and there are a great cast of well-written players to choose from.
As well as the obviously nefarious characters such as Glover – the unethical tycoon wanting to build the golf course – and the creep stalking her, we wonder who else might be involved. Her social circle includes several lecturers and staff at the college, her grandfather and his photographer protégé, as well as other councillors, locals, and friends from the golf course protest group. They’re all fully-rounded, but often just enigmatic enough so that we can’t completely eliminate them from suspicion.
This is what I enjoyed. Kim’s paranoia, even though perfectly justified, is infectious. As readers, we start to be wary of everything and everyone; the sinister in the mundane is a great tool and perfectly applied here.

This novel is easy to read with lucid prose and a well-gauged pace, and very compulsive; I found it very easy to lose myself to just one more chapter. This is all the more impressive in that its page-turning quality doesn’t need to come from chapter cliffhangers or sudden jeopardy. It instills a desire to read on purely from the mounting insidious tone.

After this ratcheting of baleful atmosphere throughout the book, the finale is breathtaking and dark. The last few chapters are grim, exciting and genuinely unputdownable. I was gripped, hunched over the page and unblinking as the real world faded to irrelevance around me, which is not something that happens very often.

“We Were Seen” left me satisfied – as everything falls neatly into place – and also in need of a breather from the twist and reveal. It’s also credit to Mark West’s mastery of the writing craft that I was left with the feeling I’d actually been to Seagrave and met all these people, thanks to his knack for characterisation and creating a palpable sense of place.

It definitely won’t be as long as last time before I read another of his books. In fact, his list of thriller novels on The Book Folks site is calling out to me right now. If this review has piqued your interest, you could certainly do a lot worse than visiting it yourself.

Mark West

The Book Folks

Review: “Triptych: Three Tales of Frontier Horror” by Richard Beauchamp

0
Posted on by

I’ve never been a particular fan of traditional or mainstream Westerns, but the tropes of scorched plains, dusty towns, gunslingers and frontier justice provide a great canvas for a pulp horror story.

Having read Richard Beauchamp’s superb dystopian “War Born” last year (my favourite in the “Heavy Metal Nightmares” anthology), I thought his textured prose and talent for conjuring unforgiving wastelands would make him an ideal writer to smash these two genres together. Reading Triptych certainly proved that to be the case.



It opens with “The Courier” in which Jeremiah – the titular character – meets a sinister man in a snow-covered tavern. He is tasked with transporting a strange artifact across several states, in time for solstice eve, and delivering it to a known practitioner of the dark arts.

His journey takes him into the harshest of blizzards during which Jeremiah is stalked and attacked by men who try to warn him of what he carries. Townspeople – and even mountain lions – shy away from his presence, and what begins as a professional dedication to his job soon becomes a protective obsession. He regards the strangely-warm package as his talisman, and it seems to keep him going on his brutal journey long after any mortal should surely have perished.

This tale brings the classic setting of the loner traversing the American West on his trusty steed, but slowly morphs it into cosmic and visceral horror. I read it straight through, driven by a hungry curiosity that was masterfully stoked by the author, and the evocation of the frozen mountainous terrain is perfect. An intriguing and compulsive read with a devilish pay off, this is a sterling start to Triptych.

Following this is “Blood Gulch” which is by far my favourite piece of the three. It doesn’t hang around, immediately presenting an infestation of slug-like monstrosities that burrow into people’s spines and control them as hosts. Our protagonist is Maylene, a woman in search of her missing husband who has been taken by the foul creatures – along with countless others – to an ominous subterranean cave at Blood Gulch.

What awaits there is a wrenching vision of hell, and I wouldn’t dream of spoiling the surprise.

Maylene is a brilliant character – a gun-toting, sharp-tongued badass who will stop at nothing to look after herself and her own. Throw her into a story of revolting parasites against a backdrop of boiling sun, alcohol, blood and dust, and you’ve got an absolute winner.

It shines through its storytelling towards a satisfying epilogue, and the plentiful and gritty period language seems authentic, bringing a grounding realism to the sf/horror concept. With shades of Cormac McCarthy’s “Blood Meridian”, David Cronenberg, Calamity Jane and the Aliens mythos, “Blood Gulch” is worth the price of Triptych alone.

“It Comes For Us All” is the finale, co-written with Korey Dawson. Here we find a sharp-shooting indigenous bounty hunter called Sho’keh. He is transporting a dangerous criminal, Tom Dallion, across the bandit-populated desert and frontier towns of the Mojave to where he will finally meet justice.
But the wisecracking prisoner seems to be undergoing a strange transformation, and once the blood moon rises, pandemonium will be unleashed.

“Dallion’s eyes shone in the moonlight, somehow moving in the stillness of his smiling face, like silver coins in the bottom of a disturbed well.”

My complaint with this story is that I kept losing track of who was speaking, especially during the opening scenes, despite only two characters being present. This was mainly due to the overuse of character tags as well as their names (the older man said, the bounty hunter said, the man on the ground said…) which was confusing and unnecessary.

But the characters are solid, the dynamic between the two leads is convincing, and Dallion’s gruff retorts and escalating creepiness is a great foil for Sho’keh’s pragmatic patience. The foreboding tone slowly cranks up throughout their journey, building to a grisly “Splatter Western” showdown.

Richard Beauchamp has definitely climbed up my horror watch list with this release. Triptych brims with exquisite turns of phrase and slick dialogue, and he clearly makes an effort with historical attention to detail. The landscape becomes an integral part of the tales, essential with any quality Western, and the author’s knack for creating an immersive atmosphere is perfectly suited to this kind of fiction.

Merging the spooky eldritch with gore, it should please fans of both camps. As a devotee of both, I had a splendid time.

“Hell comes at High Noon” indeed.

Richard Beauchamp

Review – “The Golem” by Edward Lee

0
Posted on by

I picked up this book hoping for some gory, supernatural fun, and that I certainly found, but a lot more besides.

It follows the story of Seth and Judy, a middle aged couple fresh out of rehab and escaping the darkness of their pasts by relocating to an old farmhouse on the quiet Maryland coast.GolemBut their peace is short-lived thanks to corrupt cops, drug dealers, and a local Jewish history of occult slaughter that appears to involve the reanimation of corpses into terrifying, murderous rape-machines of lore known as Golems.

The book switches between the present and the 1880s, nicely filling in the history and origins of the troubled town as we go along. While the first half is more gently paced, with enough intrigue and interesting characters – both pleasant and vile – to keep the interest from waning, the second half suddenly explodes. After that, the novel doesn’t pause for breath as everybody is sucked down into gruesome nightmare, and the conclusion is unexpected and wonderfully dark.

The Golem has plenty of Lee trademarks. I expected bodies to be torn asunder, swathes of blood, skulls, imaginative violence and nasty behaviour, and wasn’t disappointed. This is Ed Lee after all.  But despite all the supernatural brutality, it was Judy’s achingly human story that kept me glued to the pages. Despite the horrors that surround her, she has to battle personal demons and is trapped in a descent that is convincing and tragically inevitable.

There’s a few typos on the editing side, but other than that, it’s a very accomplished novel from a master of no-holds-barred fiction. Genre fans will devour it.