Review – “Clusterfuck” by Carlton Mellick III


You know you’re in for plenty of warped humour and weird horror with Carlton Mellick III, and Clusterfuck is no exception. Loosely following on from the excellent Apeshit – that followed a bunch of jocks and cheerleaders being stalked by a crazed mutant in the woods – Clusterfuck has a similar hook. But this time it’s fratboys and college chicks on a caving weekend, and while not quite as outrageously gruesome, it piles on the claustrophobia and the laughs.ClusterfuckAs the author explains in the foreword, frat boys are both “the worst human beings on the face of the planet, and the funniest human beings on the face of the planet”. And that’s certainly true of this crowd. The “alpha-bro” of the group is Trent, who along with his gloriously stereotypical buddies – beer-guzzling, insensitive, sexist pricks – decides to stock up on booze and go caving with a trio of girls in tow, undeterred by his lack of experience and the fact that two of the girls can’t even stand him.

So after some pre-trip shenanigans and a journey into the wilds, with shades of Deliverance and The Texas Chainsaw Massacre, they head off underground. Naturally, things start to go bad pretty quick. The cave network starts to flood, and if this wasn’t enough, they soon realise they’re not alone down there. Yes, there are cannibal mutants to contend with and as we have a bizzarro master at the helm, some brilliant and sick imagination is on the way.

It’s the characters that drive this story. A couple of them seem fairly normal at the outset, such as squeaky-voiced Lauren, who simpers around Trent, and Selena, who’s intelligent and completely unimpressed by bro-culture. And of course the quiet and sensible Lance, dragged on the trip without really wanting to be any part of it. But as we find out more, they’ve all got serious issues: some just weird, others monstrous. These are deftly teased into the plot, and I found myself delighted every time some back story made an appearance, wondering what perversion or beastly childhood trauma was going to surface next.

Lance – who suffers from human proximity anxiety and entrapment nightmares from his past – also forms the foundation of some intense claustrophobia. When he gets firmly wedged upside-down in a descending, pipe-thin tunnel, his panic beneath the pressing rock made me short of breath. This is expert writing, and also tempers the comedy and impending gore.

I ended up being quite fond of main player “Extreme Dean”, despite him being the most irritating, high-fiving, whooping, hooting bellend you could imagine. As the book progressed, his view of everything as awesome and extreme – no matter how unpleasant and tricky the situation might be – became rather infectious. But while his eternal optimism and complete lack of self-awareness is endearing, he’s still a dick, and capable of some pretty callous violence. I suppose it’s because “THAT’S WHAT YOU GET FROM MESSING WITH EXTREME DEAN, THE ULTIMATE ASS-KICKING MACHINE!”

The first half of the book is atmopsheric adventure-horror of a familiar tone, but the author’s gloves really come off for the second. The promised family of subterranean cannibals don’t disappoint, there’s gross-out moments involving male lactation, mutant sex and consumption of vomitus, and plenty of bone-crunching physical trauma. And although some of this causes a wince, it’s played for gory slapstick too. One scene involves Extreme Dean using poor Lance as a human shield to defend himself from a deranged butcher with a knife. The argument that ensues between the two fraternity bros during the attack made me laugh out loud.

It builds to a blackly comic finale, but harbours a nasty sting regarding the fate of one particular character. Although only hinted at in a couple of lines, it left a sour taste in my mouth as well as a smile on my face. Which is no bad thing.

Overall, this is a wild read, and the witty narration just rolls off the page. It’s not essential to have read Apeshit first (click for my review), despite the threads and references, as this is very much a standalone novel. But should you start here with Clusterfuck, it just means that you’ll have an extra “What the fuck?” moment that readers of the first book have already enjoyed. If “enjoyed” is the right word.

I think this is one of Carlton Mellick III’s finest works so far, and have to recommend this bad trip of horror, entrapment, douchebaggery and twisted humour. Because “This is gonna be the most EXTREME FUCKING WEEKEND EVER!”

Review – “Apeshit” by Carlton Mellick III


I normally only review current releases for the Hellforge, but I enjoyed this 2008 beauty from Eraserhead Press too much to let it sneak by without fanfare.

Stop me if you’ve heard this before…

Six teenagers go to an isolated cabin for a party weekend of booze and sex, only to discover themselves being stalked by a mutant freak lurking in the woods.ApeshitFamiliar? Of course it is. The author is an unapologetic fan of bad slasher B-movies, and this book is his indulgence. The problem can be that parodies of this kind often end up as a checklist of clichés masquerading as homage. But not here. We have Carlton Mellick III at the helm, and his imagination is far too out of control for that.

Much, in fact most of the content wanders from this beaten path. The author has countless nasty and hilarious tricks up his sleeve, but I’m not going to let on what they are. After all, the back cover blurb had the decency not to spoil anything for me. And to be honest, that is the only remotely “decent” thing about Apeshit.

The original idea was for a screenplay, which would be stunning if there’s anybody out there with the balls to film it uncut. The prose creates an appropriate cinematic feel, being comprised of short sentences and told in the present tense. This can be a risk, but it clearly comes naturally to the author.

But the real strength is the characters. The six teens – your average bunch of horny jocks and pretty cheerleaders at a glance – are so intriguing and damaged that we barely need any murderous slayers lurking in the woods. There’s so many neuroses, deformities and vile festishes bubbling beneath their clean-limbed exteriors that after a while, the mutants aren’t necessarily the main focus. They become just one thread amongst many, and the pace is powered by sharp dialogue as well as action. This author shines when nailing the subtle nuances of human interaction, and there are times when I was surprised by the level of insight and maturity in such a proudly “fucked-up” book, to quote the back cover.

One element of Apeshit I particularly admired, was that the idea of it being a parody fostered a deceptive sense of security. But there are times when the black humour takes a back seat to the horror, and this played cheeky mind games with my comfort zone. It’s a device I hadn’t yet encountered in the author’s work, and it added a welcome edge to the experience.

Other than a couple of annoying text errors (I do wish these books were more thoroughly proof-read) I have no complaints. The elements are combined with the skill of a bestselling author, and at 170 pages of well-spaced text, it doesn’t outstay its welcome. Like any good showman, it leaves you wanting more. While considerably less bizarro than much of Carlton Mellick III’s canon, it soon descends into an outrageous gorefest, constantly surprising you with new highs (or lows!) of twisted imagination. And once you’ve got your breath back, the explanatory epilogue neatly ties up this sick little package.

The back cover declares it is perhaps one of the most fucked-up books ever written. For much of it, I thought “Nah, it’s not that bad”. By the end, I thought “Actually, maybe they’ve got a point…”

If you’re a little tweaked in the head, buy it and enjoy. Then give it to your mum for Christmas.

Carlton Mellick III

Review – “Warrior Wolf Women of the Wasteland” by Carlton Mellick III


This wonderfully titled book comes courtesy of Avant Punk, an imprint of the trusty bizarro kings, Eraserhead Press.

The tale begins in McDonaldland, a futuristic dystopia in which the fast food corporation has absolute power and bland conformity is king. We meet our hero, Daniel Togg, a bored machine operator who brews illegal alcohol and soon finds himself banished. Beyond the towering city walls, he finds a dangerous wasteland populated by female biker werewolves, genetic mutants and other renegade fringes of society.

As the story progresses, we discover that the city has terrible secrets regarding the origins and history of the wolf women. Daniel is captured by a heavily armed faction named Warriors of the Wild, not realising that his loyalties will soon be tested.WolfThe post-apocalyptic wasteland has been rightly compared to The Road Warrior. There’s modified vehicles, plenty of weapons action, explosions, tribal atrocity and gruesome deaths. We come to meet many of the individual wolf women, each presented with lascivious artwork courtesy of the author, but there is depth to the characters too. My favourites included the cool and pragmatic Slayer, and the twin axe-wielding, dog-snouted Talon, a very powerful but sensible alpha female who is one of the warrior chiefs. And I’ll never forget the psychotic and terrifyingly childish Pippi whom I grew to love and loathe in equal measures.

As well as the violence, there are some guiltily arousing wolfish sex scenes, and a deftly handled angle of lost love that is surprisingly poignant.

It’s not a faultless book. There are several glaring text errors, which are always disappointing. And while the action is mostly a blast, a prolonged swordfight near the end didn’t work for me on the page, and I ended up skimming until I found its conclusion.

I was also slightly disappointed when we left McDonaldland behind. It’s a fascinating idea. Here, the smiley, brightly-coloured facade of a fast-food environment  – that masks the disillusionment or brainwashing of its automaton workforce – now infects every walk of life. The opportunities aren’t wasted, whether they be light-hearted fun or deeper social commentary, and I would’ve loved to have seen this concept explored further.

But the matriarchal wasteland itself is a fresh and exciting vision, and there’s considered gender politics at play; it’s not just cheap thrills for the boys. This author always manages to blend twisted bizarro japery with substance.

Despite its minor flaws, Warrior Wolf Women of the Wasteland is one of Carlton Mellick III’s stronger works. The conclusion is unpredictable, but without resorting to contrived twists, and nicely seals a subversive, intelligent and entertaining read.

Carlton Mellick III

Eraserhead Press

Review – “The Cannibals of Candyland” by Carlton Mellick III


I’d been eyeing the gorgeous sugar and blood-coated horror on the cover of this book for several weeks as she waited patiently atop my TBR pile, and I’m pleased to say that she’s worth the wait.

CannibalsI’ve been a fan of Carlton Mellick III for about six years and while his untamed imagination and textured prose has never been in doubt, I sometimes found the characters in his early work a little samey, and the stories slightly overlong.

I’m very pleased to say that these glitches have been well and truly ironed out.

“The Cannibals of Candyland” features Franklin, a victimised and strangely gentle man who as a child, witnessed his siblings torn apart by a hypnotic, terrible woman made of sweets: one of the candy people. Franklin is obsessed with tracking the killer and her kin, following an internet underground of candy people hunters which gives it all the vibe of an outrageous urban myth. His efforts finally take him into their confectionary lair: “an underground world filled with lollipop forests and gumdrop goblins”.

For this author, the book is less bizarro at the outset – set in a mundane society relatively similar to our own – which I think helps us to identify with the eccentric,  likeable protagonist. He has domestic troubles, hassles with neighbourhood kids. Once his adventure really begins however, the gloves are off and it’s time for some vintage Mellick.

Franklin meets the slayer of his family and her marshmallow dog, and their relationship develops with some fascinating twists. There are touching and tender moments as well as vile shocks, themes of patriarchy and control: this is quality storytelling that doesn’t simply rely on a wild bizarro hook. But neither is the potential for Candyland and its people wasted. A vicious torturer shits ice cream coils of watermelon-grape candy, a sawn-off leg stump is cauterised with hot caramel sauce. If you have a sweet tooth like me, there’s always a danger reading these nightmarish chapters will make you hungry, which is weird on a whole new level. And the sex scene? A brilliant piece of strawberry-pheromone induced writing.

While the book ended a little too abruptly for my taste, it’s otherwise a very strong offering from this master of the genre. If you’re not familiar with Carlton Mellick III, this is a delicious introduction to his work.

Carlton Mellick III

Eraserhead Press