“Terrible Beauty, Fearful Symmetry” Anthology Released

0

After various delays, this Darkhart Press anthology (Edited by Wendy Brewer) is available. It contains my story Reverend Cheshire and the Brimstone Package.tbfs

“Beauty can seduce you. Beauty can deceive you. Beauty can also be cruel, otherworldly and downright deadly. Explore the fearful symmetry of beauty’s dark side with the genre’s most-terrifying storytellers.”

TABLE OF CONTENTS:

  • Introduction – David Thomas Lord
  • The Rutting Time – James A. Moore
  • I Bought – Marcy Italiano
  • In Memoryum – John Everson
  • Valentines for the Dead – Corrine De Winter
  • When Lucy Falls – Scott T. Goudsward
  • Picture Perfect – Matthew Warner
  • Of the Flesh – J.L. Comeau
  • Part-by-Part – T. Rex Armes
  • Reverend Cheshire and the Brimstone Package – Matthew Fryer
  • Psyche’s Mark – Jeffrey Rice
  • Perversion and Channel 78 – Peter N. Dudar
  • Mosquito Story – A.M. Muffaz
  • Small Crimes – Charles Coylott
  • The Grass is Always Greener – Sephera Giron
  • Pumpkin – Ron Clinton
  • The Ossuary – Gregory L. Norris
  • Exile – April Grey
  • Pray – R.E. Gofstein
  • Be Mine – Jason Palmer
  • Written in the Stars – Dennis M. Cummins
  • When the Music Dies – David Simms
  • Mercy – Gord Rollo and Everette Bell
  • An Artist in Still Life – Weston Ochse
  • Skin Deep – Angeline Hawkes
  • The Fine Art of Self-Mutilation – Harrison Howe
  • Eleanore’s Leftovers – Wendy Brewer
  • Scripture Girl – Edward Lee

It’s great to be in such company!

The book is available from Amazon, Amazon UK and Barnes & Noble

Review – “The Harm” by Gary McMahon

0

The HarmThe decision to get comfortable with a big mug of tea and no impending commitments before beginning this novella turned out to be only half correct. I was right in suspecting “The Harm: A Polyptych” would be devoured in one sitting. I should, however, have had a mug of neat whisky for the chill that now curls around my insides.

Gary’s latest novella from TTA press is a thought-provoking, gripping tale. The plot revolves around three young men – Tyler, Roarke and Potter – who were horrifically abused as young boys in a disused warehouse on the bank of a canal (a location beautifully rendered for the cover by Ben Baldwin).

It commences with a traditional, narrated introduction to the scenario – similar perhaps to one of Clive Barker’s more whimsical works – which is an unusual and pleasant surprise. But once the story begins, any such fond familarities are swiftly demolished.

We first meet Tyler, a moderately successful family man, on a dismal night out with his colleagues from work. The depiction of bland, urban life is tremendous – in which even a birthday visit to a nightclub is depressing – and it soon begins to curdle into something nasty. Strangers and family begin to treat Tyler with violence, unprovoked, and the scene is set for a classic McMahon spiral into his damaged past.

Next is Roarke, a violent criminal who rules his deprived neighbourhood with fear. His nightmare begins when he falls asleep half-drunk on a night bus, and finds himself in a silent and unfamiliar part of town.

Last of the trio is Potter, a very lonely man with sexual issues and an unhealthy affection for illegal execution videos. He discovers, just like his old friends, that the ghosts of his childhood experience will not relent. The Harm… almost a literal beast of despair in this book.

The terrors that befall our haunted protagonists seem disjointed and random at first, but by the claustrophobic conclusion, it has all fallen into place. This one of those rare treats that inspires reflection, both upon the themes and mechanics of the story itself, and also the world around us.

There’s a real sense of the ephemeral nature of life, and just how fragile it is. Gary uses this to bring humanity and frailty to the characters, whether they be sympathetic or odious. It hammers home the sickening power of abuse, and the insidious ways in which the legacy of damage spreads, while at the same time being a very tight and grimly entertaining horror tale.

I highly recommend this book. Gary’s prose is as rich as ever, evoking atmosphere in every detail, without drifting into excess. Along with the flowing snippets of dialogue, it brings colour to the bleakest of horror landscapes. There are a few surprises, but rather than being a story that relies on shocks, The Harm delivers ice-cold realisation.

Excellent.

Gary McMahon

TTA Press

Dead Lines #3

0

The latest issue of online zine Dead Lines continues its tradition of quality horror and dark fantasy. The strong names on the TOC caught my eye, and I was extremely impressed with the contents.

While there isn’t a weak tale among this pleasing mix of voices, my favourites include At the Back of the Blue Bus by W.D. Gagliani and David Benton, which involves a murderous game being played aboard an overnight Greyhound bus.

Fatter by Wrath James White features a desperate, weight-obsessed woman and has lashings of the author’s trademark under-the-skin discomfort, both visceral and psychological.

Mutilation Street by John Everson offers a gory slice of bizarro, before Jeff Strand gatecrashes the party and upsets everybody with the utterly sick and wonderful Mr. Twitcher’s Miracle Baby-Chopping Machine. And no, that title’s not a metaphor.

Mark West’s A Cottage by the Sea provides some goose-pimples in a creepy tale of a couple’s seaside break that oozes with menace from the outset.

With excellent stories from Tim Waggoner, Gord Rollo and more, Dead Lines issue 3 is well worth an hour or so of your day. And while it is free, I would happily pay for such entertainment.

I hope it’s here to stay.

Tide of Souls – Simon Bestwick

4

A recent addition to Abaddon’s Tomes of the Dead line, I expected this to be a zombie horror-thriller. And while indeed it is, there’s far more to Simon’s novel than necrotic innards and masticated brains.

tide of souls

Britain is being consumed by floods, and as the terrified population attempt to climb away from the creeping waters to safety, it becomes clear that drowning or starvation are the least of their worries. The murky depths are home to an army of green-eyed undead. Control and hope is soon lost, the semi-devoured victims rising from where they fall to replenish the ranks of their slayers.

The story follows the plight of three characters. The first is Katya Wencewska, an educated and tough Polish immigrant whom we meet imprisoned in the Manchester brothel where she is forced to work as a sex slave. The pace begins at a breathless rate, as Katya breaks out of her flooded vice cell to the rooftops to fight off the watery horde.

Robbie McTarn is an ex-soldier, steeped in alcohol and post-traumatic-stress, who finds himself called back into service to embark on a dangerous mission across the bleak, drowned Lancashire countryside. His orders are to find Ben Stiles, a brilliant but damaged scientist who may have some answers regarding the rotting scourge that is consuming the world.

These are no ordinary zombies. I’ve seen genre fiction in which the dead are nothing but a brainless, relentless eating machine. There are also ones that display cunning and intelligence. This, paradoxically, can sometimes make it less scary; you can’t plot or scheme against something that has no capability to learn or any sense of self-preservation. Well, Simon’s undead fall somewhere between the two with a pleasing twist, and the results are fascinating.

The back stories of our protagonists, and the way their lives become entwined, are delivered in snippets with the skill of a practiced writer. The characters themselves are believable, each displaying a realistic voice of experience (the novel is presented as three 1st person accounts) and empathy is never a problem.

Tide of Souls is refreshingly unpredictable, and also quick to resolve threads before they drag on past their welcome; some writers misjudge a reader’s patience with suspense, but here, the timing is always spot on.

This is also an incredibly visual book, packed with images both haunting and loud. To present one example, at the outset of McTarn’s tale, we join a group of military as they watch handheld footage of some soldiers investigating an office block that are beset by the horde. The experience made me feel as though somebody had triggered a strobe-light in my brain, and the memory of this scene is almost as though I’ve actually seen the horrific video myself, bringing similarly unpleasant moments in Aliens and Event Horizon to mind. Excellent stuff.

So any gripes? There’s a military commanding officer who’s a dick, which made me think yeah, yeah, yeah, but as it works so well here, maybe it is the fault of lesser writers for making this a cliché. It did jar that it comes as a shock to one character when he discovers that infection is spread via the undead’s bite. As this story is set in our world, one could presume that their entertainment media is just as full of zombie fiction as ours, so wouldn’t they just assume that if you get bitten, you’re screwed? I’ll concede that while this is a tricky one, it’s an issue that I wish more horror writers would address.

But these are the only complaints, and I had to be pedantic to find them. This is a powerful, entertaining novel written in crisp, addictive prose. The first two segments brim with action – brawls upon precarious boats, melees involving some serious military hardware (which are startling in their realism) and an immense bodycount – while the third favours a creepy rather than explosive tone. The scientist’s account takes us to a very different place, offering some degree of explanation, pathos by the barrel, and ties up this memorable and grisly package.

Based upon Tide of Souls and also Simon’s collection Pictures of the Dark, his name has joined the ranks of those whose future fiction I shall purchase without hesitation.

Simon Bestwick

Abaddon Books

Praise for Dark Jesters

0

Just thought I’d share a couple of positive comments regarding Novello’s recent anthology of humorous horror.

Dark Jesters

Monster Librarian said that “Every story in Dark Jesters is a masterpiece in some way” and “a must for anyone who enjoys comic horror”.

Secondly, Jeff Strand recommended the book at his blog, Gleefully Macabre, and made my day with a comment regarding my story “The Plague of Gentlemen” in which he said it was his favourite of the collection. Thanks Jeff!

Pirate Anthology Released

0

This anthology containing my story “The Brahmapur Buccaneer” is now available from Mindancer Press, the speculative imprint of Bedazzled Ink. Paperback, pdf and mobipocket are all available to purchase here.

skulls and crossbones

The Table of Contents is as follows:

“Ladgarda” by Christine Rains
“The Gallows” by Jove Belle
“Valkyry” by Rakelle Valencia
“Lost Treasure” by R. G. Emanuelle
“The Hangman’s Dance” by Jane Fletcher
“The Furies” by Rajan Khanna
“Devil’s Bargain” by Andi Marquette
“Fifty Octaves Deep” by Alice Godwin
“HMS Nefarious,” by Rod Santos
“Pirate Wannabe” by Aubrie Dionne
“Road Pirate Wanted” by Victoria Oldham
“The Brahmapur Buccaneer” by Matthew Fryer
“The Kindness of Strangers” Vicki Stevenson
“Resolution 1838” by David Brookes
“The After” by Carrie Vaccaro Nelkin
“Captain, Hook, and Mr. Shrike” by Cat Conley
“A Perfect Life” by Elaine Burnes
“Stardance” by Trace Miller
“The Passenger” by Megan Magill
“Pipettes for the Pirate” by Holly Ellingwood

Top 10 Genre Reads of 2009

0

It’s been a nice year for horror and all things strange, and although I’ve not read as much as I would like, there was plenty of good stuff to choose from for this list. In no particularly order…

  • One – Conrad Williams
  • Different Skins – Gary McMahon
  • The Impelled and Other Head Trips – Gary Fry*
  • Nemonymous 9: Cern Zoo – Various authors
  • Phantasy Moste Grotesk – Felicity Dowker
  • Pictures of the Dark – Simon Bestwick
  • Let the Right One In – John Ajvide Lindqvist*
  • The Culled – Simon Spurrier*
  • Depraved – Bryan Smith
  • Dangerous Red – Mehitobel Wilson*

* – Not a 2009 release. What the hell, it rocked.

Review – “Conjure” by Mark West

2

The cover of this recent offering from Rainfall Books didn’t lure me. While perfectly appropriate for the novel’s setting, and fair play for spurning cliché, it seemed rather bland. But within a couple of pages, I’d immediately warmed to Mark West’s literary world.

Conjure features Beth Hammond and her boyfriend Rob, a newly pregnant and cash-strapped couple from London who win a short break in the cheap, British seaside resort of Heyton. We meet Beth on her way home through the bustle of a London rush hour, and discover that she has a gift. She can see dead people.

The other characters are gradually introduced, their reassuringly average lives drizzled into the mix, which makes a pleasant change from books that bellow from the first paragraph, terrified that you might lose interest. But Mark has the cool confidence of a storyteller who doesn’t have to resort to tricks to snare a reader.

Once Beth and Rob travel to the coast, we soon learn that there is more to Heyton than the pier, the rides and the fish and chips. The town has a chilling history that quite literally won’t stay buried.

Despite the initial lack of action, Conjure fosters suspense from the outset and nudges it up as the novel  progresses. The back story of the malevolent spirit – a wronged and murdered woman – who threatens our pregnant protagonist  is presented in neat, almost teasing little doses, often in the form of visions that come alive from the page.

Mark excels at dialogue and characterisation – real people we come to know – and these unconnected folk slowly merge, at first barely brushing past each other in the plot until they are entwined. The setting is perfect, and reminded me of several faded resorts: old fashioned and hard-up, but soldiering on with a stiff but weary upper lip. I particularly enjoyed the gothic cinema. It’s a wonderful place that I would love to visit, and now actually feel as though I have.

Mark also has the knack of making relatively trivial things seem important – the way they are in real life – such as when a man driving a JCB accidentally damages an iconic war memorial in the centre of town. By making us care about lesser troubles, the moments of brutal horror that lurk around the corner have infinitely more impact.

Conjure flaunts some genuinely spooky moments. A scene in which Beth is trapped inside a toilet cubicle made me writhe and I could barely wait for her chance to escape. When a spontaneous holiday snapshot captures the ghost on film, it was descibed in such a way that it raised goose-pimples down my arms. The ghost uses mind control and amnesia, and the confusion of its unfortunate puppet – a tough, local family man – is expertly portrayed. It becomes difficult for the reader to judge the perpetrator, despite the depths of his crime. Overall, the supernatural element works so well because the author merges it with fears we understand such as abduction and infanticide.

This is a strong short novel written in sharp prose. The plot is somewhat generic, but it is well executed and avoids cheap twists. The tale builds up to a finale that manages to feel classic yet original at the same time and concludes with a tasty uppercut, just in case you’d forgotten who was in charge.

At only 140 pages, it’s possible to finish in one sitting, which is a good job. Just one more chapter, then it’s time to get some sleep, I kept saying to myself as the night advanced. But Conjure had other ideas.

Mark West

Rainfall Books

Review – “The Cannibals of Candyland” by Carlton Mellick III

3

I’d been eyeing the gorgeous sugar and blood-coated horror on the cover of this book for several weeks as she waited patiently atop my TBR pile, and I’m pleased to say that she’s worth the wait.

CannibalsI’ve been a fan of Carlton Mellick III for about six years and while his untamed imagination and textured prose has never been in doubt, I sometimes found the characters in his early work a little samey, and the stories slightly overlong.

I’m very pleased to say that these glitches have been well and truly ironed out.

“The Cannibals of Candyland” features Franklin, a victimised and strangely gentle man who as a child, witnessed his siblings torn apart by a hypnotic, terrible woman made of sweets: one of the candy people. Franklin is obsessed with tracking the killer and her kin, following an internet underground of candy people hunters which gives it all the vibe of an outrageous urban myth. His efforts finally take him into their confectionary lair: “an underground world filled with lollipop forests and gumdrop goblins”.

For this author, the book is less bizarro at the outset – set in a mundane society relatively similar to our own – which I think helps us to identify with the eccentric,  likeable protagonist. He has domestic troubles, hassles with neighbourhood kids. Once his adventure really begins however, the gloves are off and it’s time for some vintage Mellick.

Franklin meets the slayer of his family and her marshmallow dog, and their relationship develops with some fascinating twists. There are touching and tender moments as well as vile shocks, themes of patriarchy and control: this is quality storytelling that doesn’t simply rely on a wild bizarro hook. But neither is the potential for Candyland and its people wasted. A vicious torturer shits ice cream coils of watermelon-grape candy, a sawn-off leg stump is cauterised with hot caramel sauce. If you have a sweet tooth like me, there’s always a danger reading these nightmarish chapters will make you hungry, which is weird on a whole new level. And the sex scene? A brilliant piece of strawberry-pheromone induced writing.

While the book ended a little too abruptly for my taste, it’s otherwise a very strong offering from this master of the genre. If you’re not familiar with Carlton Mellick III, this is a delicious introduction to his work.

Carlton Mellick III

Eraserhead Press